Comparing the Gothic Revival in England Before and After 1820 Essay

Comparing the gothic Revival in England Before and After 1820The Gothic revival in England before and afterward 1820 was very different in some(prenominal) ways. Before the start of the Gothic revival the mediaeval style, since the last Gothic structure in 1509 of henry VII s chapel, was seen as irrational and illogical and as virtuoso man described it as barbaric. This was one of the main causes that the mediaeval buildings of the eighteenth century fell into disrepair. During the Cromwellian period many Gothic buildings were real in the inner(a) and church interiors in the 17th century became progressively boring and plain. Many statues, altars and windows were destroyed.Some attempts at gothic computer architecture were do in 17th century but many were a mix-match of ideas. all the same though in the early1600s there was an early flowering of mediaeval architecture with the Kings College in Cambridge.This carried on in to the 18th century where to a enceinteer extent a nd more people dabbled in the gothic style with prohibited a full understanding of how gothic architecture worked as a structural system. They conf utilize stages of the gothic period, which were later defined by doubting Thomas Rickman in is writing, and also used Classical forms such as pilaster and Venetian windows. Many interiors were of a authoritative form a layout and some generation different style were thrown in. Some gothic forms were even used on the exterior of building where they didnt perform the function they were meant to. This shows how picayune the architects of the 18th century studied the mediaeval and how little they understood it. The engage of Gothic grew more and more as gothic was seen to stimulate the imagination. It was seen as part of English romantic tradition, which sparked off an interest in stylized ruins in landscape design of the 18th century. Which was used as a means of heightening the atmosphere of the garden. An example of some artificial ruins is that of Wimpole pressure group designed by James Essex in 1768.Another inspirational architect in this judgment of conviction was William Kent. His designs using ogee pointed arches with a classical cornice divine Batty Langley to produce a study in which he study Gothic in terms of classical orders. A comparison with straightforward mediaeval and Gothic architecture at this time shows that at this time all Gothic architecture was a decorative style to be applied as ornament to regular structures and s... .... After the houses of parliament burned-over down the chosen style was Gothic not Classical. Pugin undertook all of the interior work. Another example was Scarisbirck Hall in Southport built in 1837 the great hall was with a timber framed roof with no classical plaster ceilings and it was all based on knowledge of the mediaeval architecture and all materials used were true.Pugins own house in St. Maries Grange built in1835 is based mediaeval vernacular forms i t is stone built modify Gothic and it used the theory of fitness for purpose. With regard to his house and his other works he said a picturesque that arises out of unrelenting utility.John Ruskin(1819-1900) was very influential, his writings Seven Lamps of Architecture influenced many people he had many similar view to Pugin apart from the concomitant he was Anglican and he led the way it their Gothic Revival. He also had a hope that there may be an welcome style of iron architecture which may be developed so that Gothic could get a new lease of life.Works CitedThe composition of Architecture, Patrick Nuggins ,1996History of Architecture Settings & Rituals, Spiro Kosof, 1985Gothic Revival, Georg Germann, 1972